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Lifestyle

Wall of Shame: Frequently occurring assaults pose questions about artistic freedom

By Shanaya Kapoor
Last updated: April 7, 2025
5 Min Read
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The Habitat, a performing arts facility in Mumbai’s Khar that houses comedians, poets, and musicians, announced at the beginning of this week that it would be temporarily closing. Recently, employees of the Shiv Sena, led by Eknath Shinde, allegedly trashed The Habitat and the Hotel Unicontinental, where it is located, after taking offense to the lyrics of a parody song by stand-up comedian Kunal Kamra. There was a political slugfest that ensued. A first information report was filed against Kamra, who was also granted interim bail by the Madras High Court after at least 12 members of the Shinde-led Shiv Sena were arrested and then released on bail.

However, The Habitat has been in difficulty before, and this is not even the first time that someone has vandalized a venue because they were offended by an artist’s work. Only a few weeks prior, when comedian Samay Raina and podcaster Ranveer Allahabadia (also known as Beer Biceps) were involved in a dispute over “obscene content,” the Mumbai Police had apparently contacted The Habitat to ask about the matter because the video for Raina’s online show “India’s Got Latent” was filmed there.

Supporters of the Raj Thackeray-led Maharashtra Navnirman Sena allegedly vandalized the studio in July 2020, when the nation was under lockdown, in response to a video that stand-up comedian Agrima Joshua had posted that they said was “insulting to Chhatrapati Shivaji Maharaj.” The vandals did not leave the venue until Joshua wrote a public apology and put it online.

According to reports, in 1996, members of the right-wing Bajrang Dal group looted 23 tapestries and 28 paintings by famous painter MF Husain from Ahmedabad’s Herwitz Gallery in revenge for his creations. Husain was forced into exile after they vandalized his Mumbai home in 1998. However, the attacks persisted even after he departed the nation, as seen by the 2008 destruction of his artwork by an enraged mob at the Constitution Club in Delhi. Maharashtra has seen many of these kinds of instances.

Columnist Sudheendra Kulkarni’s face was purportedly blackened in 2015 by Shiv Sena (then an undivided party) employees for attending a book launch alongside a former Pakistani minister. “A group of 10 or 15 Shiv Sainiks mobbed me, stopped my car, asked me to come out, caught me, and started abusing me,” Kulkarni told the media at the time. “They said we had ordered you to stop the launch this evening, you did not listen to us, and this is what we will do with you.”

Prior to international cricket matches with the neighbor, the Shiv Sena also excavated the fields at Wankhede Stadium and Feroze Shah Kotla Stadium in 1991 and 1999, respectively, to avoid any kind of interaction with Pakistan. As the alleged assault on The Habitat took place this week, famed director Hansal Mehta also thought back to his personal encounter with the Shiv Sena in 2000. “They vandalized it, physically assaulted me, blackened my face, and forced me to apologise publicly — by falling at the feet of an elderly woman — for a single line of dialogue in my film,” the director wrote in an Instagram note. The line was innocuous, nearly inconsequential.
The film had already been cleared by the Censor Board with 27 other cuts. But that didn’t matter.”

Even though these kinds of tragedies have occurred for ages, Mehta discussed the trauma and the impact they had. “That incident did not just bruise my body,” he stated. My spirit was bruised. It repressed aspects of me that took years to recover, blunted my filmmaking, and dampened my daring.

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ByShanaya Kapoor
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Shanaya writes on lifestyle, youth culture, and wellness. Her content reflects the vibrant voice of the new generation in Uttar Pradesh.
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